Bernhard Schobinger

Bernhard Schobinger
 

Richterswil, Switzerland, 1946
Lives and works in Zurich

Bernhard Schobinger

A graduate of the School of Applied Arts in Zurich, he has worked independently since 1968, gaining international recognition.

Whether salvaging door handles from demolished houses in his hometown of Richterswil, diving to the bottom of Lake Zürich for fishhooks, or collecting smashed bottles from concerts, Swiss artist Bernhard Schobinger transforms found objects, often broken, rusting, or discarded metal and glass, into jewelry and sculptures with a sense of danger and wit. His reuse of ordinary, almost crude, materials shares some of the methods of Surrealism and Arte Povera, as well as display an early influence of Constructivism’s industrial, angular style. But overall, it’s a punk ethos that has permeated Schobinger’s work ever since he encountered the burgeoning subculture in the late-1970s. Fashioned out of the destroyed remnants of the everyday, his jewelry can often appear physically dangerous – shards of glass, saw blades, and other threatening tools are placed in sharp contrast to human necks, wrists, and fingers – even though each piece is meticulously designed and engineered to be wearable.

A recipient of the Francoise van der Bosch award in 1998, his work has been published extensively and is represented in significant public collections, among others V&A Museum – London; Museum of Fine Arts – Boston; Museum of Fine Arts – Houston; LACM – Los Angeles; Philadelphia Museum of Art – Philadelphia; Rotasa Collection Trust – California; National Museum of Australia – Canberra; National Gallery of Victoria – Melbourne; Stedelijk Museum – Amsterdam; Stedelijk Museum – ‘s-Hertogenbosch; Museum Boijmans Van Beuningen – Rotterdam, Pinakothek der Moderne, Die Neue Sammlung, Dannerstiftung – Munich, Musée des Arts Décoratifs, Palais du Louvre – Paris, MUDAC – Lausanne; Museum Bellerive – Zurich; Kunsthaus Zug – Zug; Schweizerisches National Museum – Zurich;  Koch Collection and makk, Museum of Applied Arts, Köln. His work was included in the V&A’s survey show ‘Postmodernism: Style and Subversion 1970-1990’.

Selected Works